Kareena Kapoor Khan, Tabu and Kriti Sanon starrer Crew has been ruling the box office ever since its release. In just two days, the film has earned close to Rs 20 crore in India. Recently, Alia Bhatt also took to her Instagram stories to congratulate the three Crew actresses and the producer of the film, Rhea Kapoor.
Alia shared a poster of Crew featuring Kareena, Tabu and Kriti and wrote, “This #Crew has smashed the BO (sparkle emoji). Congratulations to these outstanding women on and off screen,” she wrote. Later, Kriti re-shared Alia’s story and wrote, “Aliaa. Thanks love (red heart emoji).”
On Saturday, Kareena Kapoor also celebrated Crew’s box office and wrote, “Round 2 with @rheakapoor, @ektarkapoor and me…What started with Veere Di Wedding and now continues with CREW❤️❤️❤️ So lucky to be on board with these lovely ladies @kritisanon, @tabutiful & the amazing @rajoosworld. We got this ❤️❤️❤️.”
Crew is for the first time that Kareena Kapoor Khan, Tabu and Kriti Sanon are sharing the screen. They play the roles of air hostesses in the movie. Crew revolves around in-flight supervisor Geeta Sethi, senior flight attendant Jasmine Rana and junior flight attendant Divya Bajwa, who works with Kohinoor Airlines. Besides the trio, the film also stars Diljit Dosanjh and Kapil Sharma in key roles. It is directed by Rajesh Krishnan and produced by Balaji Motion Pictures and Anil Kapoor Films & Communication Network.
Crew earned Rs 10.28 crore on its opening day in India. It then collected Rs 9.6 crore on its second day, taking its total box office collection closer to Rs 20 crore in India as of now.
News18 Showsha gave Crew a 3.5-star rating and wrote, “Crew might not have reached the destination that it had set out for. It’s definitely not Kareena, Tabu or Kriti’s best work. Nonetheless, it’s a great attempt at being a cookie-cutter. Give it a chance because it celebrates female friendships and despite the troughs and the crests, they fiercely love, protect and support one another, and we don’t get to see these themes in our films too often.”
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