Sonakshi Sinha, who portrays a dual role in the Sanjay Leela Bhansali-directed series Heeramandi, found herself in a unique situation of being rivals on screen but apologetic off screen, especially after her character’s face-off with Manisha Koirala’s role. Following the completion of the series, Sonakshi revealed that she felt compelled to apologize to Manisha for their on-screen dynamics.
During an interview with Instant Bollywood, Sonakshi shared her admiration for Manisha, stating, “I love her. I apologised to her after I saw the entire series! I was like, how have I done this? Meri ye majaal kaha se aayi! She is amazing and that is the beauty of having such a fine actor in front of you because they give you the boost to do better.”
She continued, “This is Manisha Koirala, who we have grown up watching, who has an amazing body of work. I thought I am in front of her, so I better do something good. It is such a pleasure to have that banter with each other, you are fully into it. I enjoyed working with Manisha mam.”
Heeramandi is set against the backdrop of the pre-Independence era in the 1940s. It explores the cultural reality of a prominent red-light district through the lens of courtesans and nawabs. The series boasts a star-studded cast, including Manisha Koirala, Sonakshi Sinha, Aditi Rao Hydari, Richa Chadha, Sanjeeda Sheikh, and Sharmin Segal.
News18 gave Showsha 4.5 stars and wrote, “Bhansali pens a near-perfect screenplay, and it is this rich writing that already forms an impressive foundation for the show. Each character is written with a lot of courage, empathy, and sensitivity. Here, each female character is so well-fleshed out, including those in the periphery, that they all deserve a spin-off of their own.”
It further read, “With Heeramandi, Sanjay Leela Bhansali creates a world that’s exquisite and is rich and vibrant in its culture and texture. Inhabiting this realm are some characters that are as unapologetic, complex, and imperfect as a human can be. Here, the women call their own shots and is unafraid of what the civil society might think of them. They’re pitted against each other, sometimes one even wishing for and conspiring against another’s downfall and shattering their self-worth, pride and ego. They can tear apart and even love like tigresses. And when the right time comes, they don’t bat an eyelid before fiercely protecting one another. Despite deep and dark ambition plaguing their hearts, they’ve their conscience clear. Maybe that’s why Fareedan in a scene reprimands a British officer for robbing her aunt Mallikajaan off her ‘aabru’ when all she wanted was for her to have her ‘guroor’ crumbled.”
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